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Archive for 'Contradiction'

Elliptical Critique

Light posting for the moment, as it’s the beginning of our term here, and so things are quite hectic, but I wanted to pick up on one small point that had occurred to me in the course of responding to one of roger’s recent posts on Marx.

I’ve written quite a lot, at various times, on how I understand Capital to be putting forward a series of partial perspectives that are each looking on out specific aspects of an overarching process that is far more complex than any one of those perspectives is able to capture. This is a strategy that, I believe, weaves its way throughout the text, such that no particular moment gives us “the” critical standpoint of the text. This critical standpoint instead resides in the ability to move around amongst the available perspectives, constantly looking back over our shoulders at previous perspectives and seeing how the phenomena they described appear when viewed from a different standpoint.

One of the things revealed by this sort of fluid standpoint, I believe, is that the “same” social practices or social phenomena can carry multiple consequences – only some of which are easily visible from any particular point of view. In this context, categories like “capital” or the “commodity” – the categories often central to recent “new dialectical” interpretations of Marx – pick out what I have called “emergent effects”: these are categories that describe very complex patterns of aggregate social behaviour that are not caused by one type of social practice alone, or even by a few types of social practices operating together, but instead by the joint operation of a very wide array of social practices, none of which is immediately oriented to achieving such an aggregate effect.

Capital sets out to show – and this is its connection with Darwin’s work – how, in the absence of an overarching Designer or Plan, it is possible nevertheless for aggregate social practices to generate non-random results. To do this, it re-assembles the array of social practices Marx takes to be essential to achieving these peculiar aggregate social results, in order to show how the various bits of the array each generate some consequence that contributes to the peculiar overarching historical patterns Marx sets out to analyse.

One goal of the text, then, is to answer the question: how could a complex pattern of aggregate social behaviour come into being in the absence of a designer or a plan? And one could add: without this pattern arising from some essential characteristic of human nature, social life, or the material world? For Marx’s project differs from Darwin’s in that he is committed to showing the contingency of the patterns he describes.

This goal is important, but it is not the only goal governing Marx’s presentation in Capital. The text would be considerably simpler – but also much more one-sided – if the point were just to show how a particular sort of unintended consequence were generated if and only if a very specific array of social practices were operating in tandem.

Another important goal of the text is to explore all of the other consequences and implications of the social practices that – when they operate in tandem – generate emergent effects like “capital”. Because these other consequences and potentials are also dimensions of social experience for indigenous inhabitants of capitalist societies. Thus, when Capital unfurls the array of practices that must operate together to generate specific aggregate results, it also tarries over the more immediate consequences of each practice in the array, exploring the phenomenological experience of social actors who engage in that practice, often as this phenomenological experience shifts from moment to moment during the execution of the “same” practice, and also exploring the more immediate effects each practice generates for other social actors and for the material world.

These more immediate effects are often easier for social actors to discern – and might, in fact, be common to many periods of human history. What has changed for some practices is instead the more indirect effects these practices generate only because they are currently contributing to a complex system that is historically new. This distinction – between immediate effects that may be consciously intended or are at least easier for social actors to discern – and indirect aggregate effects that result from the simultaneous performance of many different kinds of social practices – is one of the reasons, in Marx’s account, that is it so difficult for social actors to grasp the ontological status of the phenomena observed by political economy.

Political economists don’t know “where to have” categories like “value”, because these categories express the emergent effects of many different practices – effects that are not intended, and that often do not resemble – or even “contradict” – the more immediate effects of the very same sorts of social practices that help generate this aggregate result. In this situation, the aggregate effects can come to seem like ontologically spooky results of capacities for self-organisation inherent in the material world, so long as humans keep out of the way. The contingent social basis for this “self”-organisation can come to seem mysterious and opaque. Marx believes that he can deflate this mystery – that he can demonstrate that political economy is being metaphysical in treating phenomena as “given” – by showing how aggregate effects can be produced by the combined operation of social practices whose immediate consequences may bear no resemblance to the aggregate phenomena they generate.

One side effect of this analysis is that it shows how the “same” social practices can generate “contradictory” consequences – depending on how far downstream the analysis follows the consequences that a specific social practice can generate. As Capital moves through various perspectives, what Marx is often exploring is what social tendencies look like, at the precise moment that social actors are engaging in specific forms of practice. Marx goes through dozens of forms of practice in this way – often breaking what we would casually regard as the “same” practice (like “using money”) down into sub-practices that involve very different sorts of actions and performative stances.

Then, quite brilliantly, he links up specific forms of political economic theory to the way the world looks, if you are using the perceptual and conceptual resources engendered by some specific form of practice. In this way, he establishes how, and to what extent, specific forms of political economic are “socially valid”: he shows that a specific theory expresses fairly well the forms of social experience that arise when people are, e.g., selling goods, or paying off debt, or earning interest. He then moves onto another practice, and shows that very different possibilities for social experience are opened up by that practice – and thus retroactively criticises earlier perspectives by showing that they capture only a very small part of the social experience available collectively to us.

In this way, political economic theories are revealed to be partial representations of some small dimension of social experience. They might be perfectly accurate as far as that small slice of experience is concerned, but they are guilty of over-extrapolation: they hypostatise that dimension of social experience and behave as though it operates in isolation, unchecked by the operation of any other practices. As a result, they arrive at a very poor sense of the dynamics and tendencies of capitalist production as a whole.

In Capital’s third chapter, Marx steals from Hegel an interesting image for expressing a social “contradiction”:

We saw in a former chapter that the exchange of commodities implies contradictory and mutually exclusive conditions. The further development of the commodity does not abolish these contradictions, but rather provides the form within which they have room to move. This is, in general, the way in which real contradictions are resolved. For instance, it is a contradiction to depict one body as constantly falling towards another and at the time same constantly flying away from it. The ellipse is a form of motion within which this contradiction is both realized and resolved. (198)

In capitalism’s much more complex elliptical movement, poor forms of theory operate like someone who sees only one dimension of the ellipse, and doesn’t understand how that dimension is checked by other, contradictory tendencies. So they rightly see that one tendency is that two bodies are constantly falling toward one another, and they declare that the fundamental law of motion is that they shall crash! Or they rightly see that one tendency is that two bodies are constantly flying apart, and they declare that the fundamental law of motion is that they shall become ever more distant from one another! These perceptions aren’t products of poor reasoning, exactly – they are based on the genuine experience of their object. It’s just that they fail to grasp how complex that object is, in practice, and so they arrive at a much simpler, much more linear, understanding of how its dynamics will play out over time.

In roger’s recent series of posts, one recurrent touchstone has been how to understand passages where Marx seems to imply that money dissolves everything – that all relationships become fungible, all hierarchies dissolve, all solids melt into air. I would suggest that the way to understand such passages is as perspectives – perspectives that are partial, that are valid only contingently, and only in bounded ways. Marx ventriloquises such perspectives, showing how the laws of motion of capitalism appear from their standpoint – and he also tries to show what aspect of everyday, mundane practical social experience engenders the sensibilities that have been articulated theoretically into this form. But he does not use these passages to make fixed ontological claims – even historically contingent ones. He does not claim, e.g., that relationships “are” fungible – he claims that there is a dimension of social practice that if it were looked at in isolation from all other social practices would imply that this could be the case. The perspective that claims this, however, operates with a significant blind spot: it doesn’t acknowledge the effects of the many other social practices that stand in the way of realising this implicit “telos” of one small dimension of a complex whole.

At the same time, however, having a dimension of social practice – however small – that suggests the possibility to dissolve all social hierarchies: this is incendiary. Recurrent social experience – even if fleeting – with a dimension of social practice that suggests this sort of contingency has a potentially corrosive effect. The potential to transform hierarchies, to burst through barriers, is placed on the experiential table through countless mundane practices that are not in themselves transformative, but that can be articulated (as Marx does in the Communist Manifesto) to transformative ends. By themselves, these practical experiences point in no specific direction: capitalist “creative destruction” is as compatible with the notion that all barriers can fall, as is the mobilisation for a future egalitarian society – an explicitly political articulation and appropriation of this reservoir of collective experience is required. But the initial corrosive force – the introduction of a nagging possibility for transformation – first arises, in Marx’s account, in a very mundane way – as unintentional as the aggregate forms of social coercion that Capital also analyses.

Capital seeks to tease out these tacit potentials, as they arise in a wide array of everyday practices whose indirect consequence also happens to be the reproduction of capital. There is nothing in the practical constitution of these potentials that suggests that, left to their own devices, they would necessarily drive historical development in some specific direction: our practices generate accidental possibilities; something active is required – a new selective inheritance that cites different moments of our history – to break free of the elliptical movement that, at present, truncates the development of specific potentials, constraining them into a form compatible with the continued reproduction of the unintended whole.

Theatricality, Critical Standpoint, and the “Reality” of All Moments of Social Experience

Okay… this post originated as a comment to add to the discussion with roger and demet in the thread below, but grew a bit cancerous, so I’m elevating it to post status. What I’ve done here is to replicate the content of my final comment to roger, and then added underneath it what would have been a new comment, in order to get everything together in one place. Note that there is lots of other substantive material in the comment thread below – I’m lifting this content up because I can’t remember whether I’ve put it all into one place like this on the blog…

***
The thing that’s most difficult to “get” about Marx’s critical standpoint is that it doesn’t require occupying some sort of Archimedean point – or, for that matter, some singular point immanent to the phenomena it criticises. There’s instead this constant sliding around from point to point – and the “points” themselves are subject to adaptation and interpretation – they don’t always have to be enacted in exactly the same way. Marx will flit from one perspective to another, looking back over his shoulder at the previous perspectives, in a sense looking askance at them, showing how odd certain claims look when viewed from the perspective of other dimensions of social experience.

The end result doesn’t occupy some one ideal position – but it’s also not “perspectival” in, say, a Mannheimian sense, where perspectives are regarded as inhering in social groups. The operation of the text simply wouldn’t work if Marx didn’t have some sense that whatever we had accidentally constituted – whatever perspectives are opened up in collective practice – weren’t potentially available, as performative stances, for social actors to move in and out of (where part of the critical barb derives precisely, then, from the revealed arbitrariness of the actual actors who occupy some specific position).

So the whole operation of the text is driven by a sort of Benjaminian commitment to make our history citable in more of its moments – and then to foreground the potential for other forms of selective citation or inheritance of the possibilities for social development that we accidentally produce, but are too prone to treat as though these are fated to remain in their present form.

Or something like that… ;-) What I’m trying to express is that I’ve run into great difficulty communicating the distinctiveness of the critical standpoint on which the text relies – which is neither a traditional singular “standpoint” (whether immanent or transcendent), nor is it “perspectival” (although there is plenty of analysis of “perspectives” in the text). It’s a standpoint in constant motion, and one which relies on a fundamentally creative possibility to adapt the elements we find lying around us, rather than taking those elements as something fixed and given…

***

One other point that I was just thinking in the background, which I’m not sure has made it onto the blog completely clearly: the other bit of work that Marx’s theatricality does, aside from generally allowing him to highlight a multiplicity of perspectives and generate a very complex and agile sort of critical standpoint, is that it allows him to link “forms of subjectivity” and “forms of objectivity” together in a very unusual way.

The more Hegelian interpretations of Marx tend to understand, programmatically, that this is somehow part of the “package”: that part of what Capital is trying to do is talk about forms of subjectivity and objectivity using the same basic categories. Those approaches just tend to vastly underestimate the complexity of the argument, such that you end up with a relatively small number of categories that are understood to replicate, in a fractal manner, at different scales or in different aspects of experience. Marx will suggest things like this, from time to time, but this is only scratching the surface of the argument.

The more interesting move is to decide to treat different aspects of social practice as performances – which means not only that they are artificial, contingent, etc., but that they can be thought of in terms of performative stances, which are combined with particular sorts of practical orientations. Forms of subjectivity and objectivity are thus linked, not because they all share “the commodity form” or something like that, but because what we do, when we engage in a particular practice, is adopt a specific performative stance, while seeking to achieve certain kinds of practical impacts on other people and/or nonhuman objects. In this sense, forms of subjectivity and objectivity are intrinsically interrelated, not because one can be reduced to the other, or because one is related to the other by a more or less mystical concept of “social form”, but just because that’s what a practice is – a combination of a specific performative stance combined with an attempt to have a particular sort of impact on the world.

On this reading, Marx’s doesn’t have one, or even a small number, of basic social forms he’s analysing: he has dozens and dozens. In the third chapter of Capital, for example, he breaks down something that is often casually grouped together – “using money” – into several major sorts of activities, and then he breaks each of those activities down into different stages, each of which involve different performative stances and practical objectives. Each one of these opens up different perspectives onto the “same” social process (including perspectives that do not recognise how they participate in a process that also necessarily involves perspectives other than their own).

All of this, however, relates to aspects of social experience that are potentially intersubjectively meaningful – this is why it is possible to analyse them in terms of performative stances. In addition, there are whole other dimensions of social experience – and here we begin to get to the thing the Hegelian interpretations of Marx do tend to grasp, but they grasp it as though it’s the only thing going on – that relate to the unintended and indirect consequences of all these performative activities, which also generate consequences that then confront social actors, demanding responses of some sort of other.

So social practices are presented as each potentially having several layers of consequences – some of them immediate and easy to discern, some of them quite indirect and arising only because a whole constellation of practices are taking place in tandem, enabling them to generate aggregate effects they would never create in isolation, or even in tandem with a different constellation.

Because it’s very difficult for social actors to anticipate these indirect consequences – in part because they are indirect, in part because these consequences often do not resemble (and may even “contradict”) the more direct consequences of individual practices, in part because the consequences require a very particular combination of different practices to arise – such consequences can be plausibly interpreted as not arising from social practice at all. (It’s more complicated than this, but this is the most basic version of the argument – the one that’s already implied in the commodity fetish discussion.)

These aggregate, emergent consequences are patterns of social behaviour that initially become visible in observations made of the movements of material goods. Because no one sets out to create these patterns, and because the practical conditions required to generate the patterns are so complex, the patterns are plausibly interpreted as not being contingent social phenomena at all, but instead as arising from some inherent capacity for self-organisation that arises when material objects are allowed to interact “free” of human intervention. Capital implies that this very distinctive sort of social experience primes us to expect that a “material world” – as it exists in itself, free of anthroporphic projection – would be a lawlike, spontaneously self-organising realm: our secular, disenchanted conception of material nature is, in Marx’s account, the specific form of anthropomorphism of our time.

Capital is designed to show – I think – how this distinctive unintentional aggregate effect is inadvertently constituted, as people go about their everyday lives, engaging in various intersubjectively-meaningful practices that involve specific performative stances and generate distinctive sorts of impacts on other people and on nonhuman nature.

To understand the critical standpoint of the text, what is most important is to see that – like Hegel – Marx steadfastly refuses to allocate quanta of reality among different parts of social experience. In his account, both the overarching, aggregate, emergent effect and the various intersubjectively-meaningful practices from which it ultimately arises, share an equivalent ontological status. One is not more “real” than the other. All of these elements of social experience are potentially citable – and appropriable – as raw materials around which we can innovate in constructing new forms of history with the materials we have lying ready to hand…

Thesis Workshop: With What Must the Thesis Begin?

This coming Friday, I have to fulfil a mandatory pre-submission requirement for the thesis that basically involves presenting on the structure and the major claims of the thesis, and then taking questions from faculty and students who happen to attend the event. The faculty who attend are provided with the abstract, first chapter, and table of contents for the thesis – unless they are actual supervisors, they are unlikely to have read anything else. The students who attend are not, to my knowledge, supplied with anything. Presumably they are either friends of the presenters, and therefore know their work through that connection, or they are simply there to see what this hurdle requirement entails. The purpose of the requirement is to provide a sort of check and balance on the supervision process – making it less likely that theses will be sent out for examination (which, here, is an entirely external process) when they are likely to require major amendments or not to pass.

If any readers from my university would like to attend, the event will be held in the Research Lounge from 11 a.m. to 4 p.m. on Friday 27 February. There will be four or five of us presenting and taking questions – each of us with an hour to ourselves. I don’t know as of yet which hour is mine. If this matters, send me an email, and I’ll let you know when and if I find out…

Since the introduction I recently posted to the blog was mainly a placeholder – and one that was specifically not very well-designed, I didn’t think, for people who weren’t going to read the rest of the thesis – I have rewritten it for purposes of distribution to the staff who will be attending this event. I think it’s much better than the one I posted a couple of weeks ago, so, to satisfy my archivalist impulses, I’ve posted it below the fold. As before, it still needs a lot of detail work (and footnotes have been stripped from the blog version), but as an overarching introduction it does a much better job – I think – of preparing the reader for the sort of thesis they are about to read, the terminology used in the thesis, and the style of argument the thesis makes. I think…

I belong to the first group of students to whom this presentation requirement has been applied, so the groundrules for the event – and what you have to do to “pass” – are still a bit unformed. I’m not expecting any major dramas, but who knows… I’ll let folks know next week…

[Note: To read the thesis chapters in order, check the full list under the Thesis Tab.]

Thesis Workshop: Introduction – Historical Materialism and Real Abstraction

It’s a bit rough and ready, but I’ll post the working introduction to the thesis here anyway. If I keep this introduction in anything like its current form, I’ll need to make some slight modifications to several of the later chapters, since the introduction currently covers some of the ground discussed in later chapters, and would make those discussions seem repetitive…

Lots of detail work still to do – but this should be the end of the thesis-related posts for now. I’ll put up a PDF of the version of the thesis that is actually submitted when that is ready to go.

[Note: To read the thesis chapters in order, check the full list under the Thesis Tab.]

Thesis Workshop: What a Piece of Work Is Man

Okay. Last substantive chapter of the thesis. This chapter was very difficult to write. I think it was worth the difficulty. But perhaps that’s just relief at finishing the argument…

This chapter outlines the derivation of the category of labour-power, explores how this derivation fundamentally alters our sense of the opening categories, and generally tries to pull everything together. I’m queueing this piece for publication several days before it will appear on the blog, so I’m not certain whether there will be an introduction and conclusion to be posted hot on the heels of this chapter, or whether this will be it for a while. I have considered possibly just ending the thesis with this chapter, as anything that follows will likely be a bit more prosaic than the ground this chapter covers, ensuring the thesis ends, so to speak, on a whimper. I suspect, though, that I need a more formal conclusion just to get a quick outline of the major points all in one place… So: a concluding chapter probably still to come, and an introductory chapter definitely still to come (and, since we all know the beginning can’t really be fully grasped until it can be shown to be the necessary starting point of the system derived from it, it’s surely fitting that what should have been first in the order of presentation, will instead appear last… ;-P).

[Note: To read the thesis chapters in order, check the full list under the Thesis Tab. I will update the list as I add chapters, and also eventually publish the PDF of the entire thesis when I submit.]

Thesis Workshop: Hic Rhodus, Hic Salta

Now that we’ve finally escaped chapter 3 of Capital, a quick breeze through chapters 4 and 5, focussing on the imagery in chapter 4 of capital-as-Geist, and then on the impasse Marx sets up in chapter 5, as a wedge through which he will drive the category of labour-power in the following chapter.

Chapter 4 contains one of the more overt references to Hegel’s Phenomenology in the text – a number of commentators have noticed the parallel being drawn there between capital and the Geist. There is a certain tendency, however, to beat up on the authors who notice this gesture, as though these authors are attributing to Marx the position that capital is actually the Geist – an autonomous, self-grounding process that has achieved independence from human agency. I’m not convinced this is a fair reading of other commentators who have noticed this same reference in the text. Regardless, in my discussion of this issue below, I position this gesture into the context of Marx’s critique of Hegel: Marx is not saying that capital is the Geist – he’s saying that the process of the production of capital includes within itself a perspective that makes that process appear to possess certain qualitative attributes that Hegel attributes to the Geist. This is the same move Marx makes when criticising any competing form of thought: critique for Marx involves a process of demonstrating why a competing position is plausible – a demonstration that, for Marx, takes the form of showing what aspect of practical experience could plausibly be interpreted in the form being criticised – and then, having done that, showing all the other things that competing position can’t grasp, because it gives too much ontological weight to one small aspect of a much larger phenomenon. If the reader were in any doubt as to whether Marx thinks capital just might be a god-process after all, this passage of text is filled with Marx’s signature destabilising gestures that – more clearly in this section than in many other passages in Capital mock the perspective being presented overtly in the text. All this and more below…

Chapter 5 presents a nice deconstructive analysis of an aporia within commodity circulation – a process that both presupposes the creation of surplus-value, and yet offers no perspective from which this creation can be grasped as anything other than a mysterious, occult phenomenon. This analysis sets up for Marx to offer a preliminary practice-theoretic account of this phenomenon, beginning in the following chapter.

[Note: To read the thesis chapters in order, check the full list under the Thesis Tab. I will update the list as I add chapters, and also eventually publish the PDF of the entire thesis when I submit.]

Thesis Workshop: Crossed Circuits

After this chapter, readers will finally be able to make their escape from the deconstructive thicket that is the third chapter of Capital. Before we part ways with this chapter, though, Marx engages in some extremely clever moves to begin to open a wedge through which he will finally drive the category of capital in the following chapter. Here he begins to make the case that commodity circulation allows – and, in some cases, necessitates – exchanges that are not driven by the need to meet material needs, but rather by the need to make money. This may sound like an obvious point, but Marx needs to make it in a way that makes clear that this is not a possibility that arises extrinsically to commodity production, as some sort of corruption of a more fundamental process, but rather is implied by the very nature of the process itself. This chapter is also, by the way, where I most directly treat the issue of crisis – a topic I can approach only in an extremely preliminary way in the thesis, since I am focussing only on the opening chapters of Capital

So one last dance with chapter 3 – and then we get to meet the Geist!

[Note: To read the thesis chapters in order, check the full list under the Thesis Tab. I will update the list as I add chapters, and also eventually publish the PDF of the entire thesis when I submit.]

Thesis Workshop: Forms of Motion

Another thesis chapter in the series that focusses on Capital’s third chapter. This chapter spends quite a lot of time using the new material Marx is providing to take a much closer look at the opening categories of value and abstract labour. It also explores the implications of some brief comments Marx makes about “real contradictions”. These comments are methodologically quite important: they indicate that, when Marx unfolds – as he continues to do throughout Capital – new forms whose implications “contradict” those of earlier forms, he does not understand the new stage of his analysis to have superseded the earlier analysis. To state it crudely: like Hegel, Marx rejects the notion that, when two things contradict, one of those things must be wrong. Pointing to contradictions, however, can be useful as a means of establishing the boundedness and limitations of particular interpretations of social experience – a point that is stated more clearly below than I can do so in brief here. Marx’s early statements about contradiction also begin to make clear that the existence of “social contradictions” does not, by itself, point beyond the existing form of social life – although such contradictions can make it easier to recognise the contingency and artificiality of this form of social life in specific ways. Much more on this below, plus – as always – a systematic move through the underbrush of the text.

[Note: To read the thesis chapters in order, check the full list under the Thesis Tab. I will update the list as I add chapters, and also eventually publish the PDF of the entire thesis when I submit.]

Thesis Workshop: How Does Essence Appear?

I’m going to be in transit for the next couple of days, with very limited net access, and so won’t be able to respond to comments or mails. This and the next couple of thesis chapter posts have been queued, so if the blog does its job, they’ll keep trundling their way into the world in my absence.

This chapter is part of a set of three that spends a possibly inordinate amount of time unpacking the implications of the complex third chapter of Capital, in which Marx undertakes an extensive deconstructive analysis of money – exploring all the various ways in which this “single” object takes on different roles, and as a result comes to carry radically different meanings, implications and consequences for practice. This chapter is perhaps the single best example of how Marx consistently under-signposts what he is trying to achieve when he makes specific argumentative moves. There is an enormous amount of work being done in Capital’s third chapter – something you might guess by the sheer length of the thing, but which can be difficult to tell when actually reading the text, because Marx relentlessly refuses to pause and draw out the implications on his own. Often, he’ll point out several chapters later that he sees himself to have made a specific point in an earlier chapter; he rarely emphasises the significance of his argumentative moves at the time, for reasons I’ve explained in chapter 4 of the thesis. Understanding the reasons, however, doesn’t make the practice less frustrating… This is why a single chapter of Capital can blow out into three chapters of my thesis: I provide the signposts Marx should have, but didn’t…

This thesis chapter, as you would guess from the title, focusses a lot of its time and energy on Marx’s use of Hegel’s vocabulary of essence and appearance. The idealist loan words and style of expression often manage to conceal the fact that Marx means pretty much the exact opposite of what the text intuitively seems to be saying: when Marx talks about an essence (like value) expressing itself in a form of appearance (like price), this sounds as if value is an external causal factor, driving the play of appearances. What Marx means is very different: essences are essences of their forms of appearance – it is the play of appearance that constitutes an essence as an immanent pattern that emerges in the transformation of appearances over time. Honest. Trust me. Scout’s honour.

All this – and a lot of textual interpretation – below the fold…

[Note: To read the thesis chapters in order, check the full list under the Thesis Tab. I will update the list as I add chapters, and also eventually publish the PDF of the entire thesis when I submit.]

Thesis Workshop: Personifying Commodities

Okay. Now we get to the new stuff. The argument put forward in this and the remaining chapters, although it has been discussed on the blog in somewhat abstract terms from time to time, will probably seem at least somewhat new – and at the very least much more fully developed than what I have been able to post here before. This chapter begins to unfold what might seem a somewhat counter-intuitive interpretation of moments in Marx’s text where he writes as though he is reducing other phenomena to an economic or material dimension of social experience that he finds more ontologically fundamental – as though he is making a sort of metaphysical claim about the primacy of the economic. My reading of these passages is that they are attempts to make a very different sort of claim – a claim that is very specific to capitalism, and that attempts to pick out the distinctive qualitative characteristics of a form of sociality that Marx regards as unique to capitalist societies. But better to let those who are curious click through to the actual argument, which makes the case as well as I know how – and will therefore make it better than what I could summarise here.

One funny aspect of drafting and re-drafting: I’ve done a number of essentially stylistic revisions since I got the whole argument roughly into the form I was after. I find it interesting the way my evaluation of chapters changes due to the uneven periodisation of the revision process. This chapter, for example, came out of the original drafting process relatively cleaner and clearer than the other chapters. As a consequence, I’ve been focussing my editing energy on those other chapters, and only very slightly revising this one. So now, doing one further edit tonight, I’m finding myself mildly disappointed in this chapter, because the others have (I think…) now been edited into forms that surpass it… More editing to come I guess… ;-P In any event, I think the chapter is in an adequate state to post it here…

[Note: To read the thesis chapters in order, check the full list under the Thesis Tab. I will update the list as I add chapters, and also eventually publish the PDF of the entire thesis when I submit.]